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Sarah McCarthy is no stranger to navigating the myriad challenges posed by authoritarian states. Indeed, the Australian doc-maker has shot in precarious political places throughout the world, from the Philippines, to Saudi Arabia to Russia--where she's returned time and time again. Nor is she a stranger to the Toronto International Film Festival, where following on the heels of feature-length works (The Sound of Mumbai, The Dark Matter of Love) she now debuts her latest short Anastasia; and the ...
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